After years of trying to play the Hollywood game, Shane Carruth is finally back with a new film. That news on its own is enough to send cinema nerds scrambling for seats. Upstream Color, which Brian Rafferty at WIRED aptly calls, “beautifully baffling,” and about which Steven Shaviro tweeted, “wrenching, nearly impalpable. Left me dazzled, tongue-tied. Sort of the… Continue reading Shane Carruth’s Upstream Color
The last few years have been hectic, and 2012 kept it moving in a big way. I’ll get to my personal stuff in a bit, but first, here are the people, events, music, and media that shaped my year. Encounters of the Year: I had the honor of breakfast with longtime mentor and friend Howard Rheingold… Continue reading Until the End of the World, 2012
SXSW can always be considered an extreme example of the platitude “when it rains, it pours,” but this year, it was a bit too literal. SXSW Interactive weekend was a rainy, sloppy affair like I haven’t seen in my few years in Austin. Someone — nay many ones — downtown likely made a killing on… Continue reading Temporary Eponymous Zone: SXSW 2012
In 1986, Tony James’ post-Generation X outfit Sigue Sigue Sputnik released a record that included advertisements between its songs (If you haven’t heard it, you probably should. It’s called Flaunt It). James explained the move saying, “Commercialism is rampant in society. Maybe we’re a little more honest than some groups I could mention… Our records sound like adverts… Continue reading SF MusicTech Summit 2011: Discovery is Disruptive
Sometimes our Earth’s orbit brings us closer to other heavenly entities. Last Saturday for instance, our own Moon was closer than it has been in twenty years. Well, annually in mid-March, we collide headlong into another planet, a clusterfuck (as Buckminster Fuller would say) of talky panels, film screenings, and live shows that is known as… Continue reading Daylight Savings Tribe: SXSW 2011
