This year might have been like living in the longest, most boring bottle episode ever, but it was a good time for reading. Whether you were catching up on the TBR pile or staying up on new releases, there was plenty of time for both. I quit social media last summer (except for Twitter, which… Continue reading Lockdown Literature, 2020

I first bought Molly Gloss’s The Dazzle of Day (Macmillan, 1998) when it came out because of the cover. Something about the colors… I kept picking it up, putting it back, and then coming back to the shelf. Once I read the back-cover copy and the Ursula K. Le Guin blurb, I was in. I’ve… Continue reading The Dazzle of Day

Bret Easton Ellis has made a career out of thinly skinning his own experiences with a fictional sheen. All the way back to his college days with Less Than Zero (1985) and The Rules of Attraction (1987) through his layers of postmodernism with Glamorama (2000) and Lunar Park (2006). Given his fictionalized appearance in Lunar… Continue reading Memoirs and Misinformation

I read A.M. Lightner’s The Day of the Drones (W.W. Norton, 1968) while doing research for my book Dead Precedents: How Hip-Hop Defines the Future (Repeater Books, 2019). Though I didn’t cite it, the book is notable for its reversal of races (“black is beautiful; white is taboo”) and gender roles.  Lightner wrote several novels and… Continue reading The Day of the Drones

David Grubbs has been making notes and noise for decades, from his involvement with bands like Squirrel Bait, Bastro, and the Red Krayola to his many solo and collaborative efforts. His and Jim O’Rourke’s record under the Gastr del Sol name, Crookt, Crackt, or Fly (Drag City, 1994), remains a post-rock touchstone. He still composes… Continue reading David Grubbs: A Meaningful Pause