I’ve been weathering the wilds of William Gibson quite a bit lately. I’ve been reading several books by and about him and his work for months now. Having just finished the Bigend trilogy — Pattern Recognition (2003), Spook Country (2007), and Zero History (2010) — and finally chewing through Distrust That Particular Flavor (2012), I am engrossed… Continue reading The Written World: William Gibson’s Bohemia
Grant Morrison describes his growing up through comics books as a Manichean affair: “It was an all-or-nothing choice between the A-Bomb and the Spaceship. I had already picked sides, but the Cold War tension between Apocalypse and Utopia was becoming almost unbearable” (p. xiv). Morrison’s first non-comic book, Supergods (Spiegel & Grau, 2011), is one-half… Continue reading Return to Cinder: Supergods and the Apocalypse
Any web wanderer worth her bookmarks knows that William Gibson coined the term for the spaces and places that we all explore online. So strong was the word that one large software company attempted to trademark it for their own purposes (Woolley, 1992). So many such ideas have been co-opted by others that Gibson has… Continue reading Maps for a Few Territories: Guides to Gibson
Like birthdays, the end of the year always brings about a recounting of the previous twelve months. We reassess our existence every year, every ten years, every one hundred… Human and technological movements are cyclical. Heraclitus once posited that generational cycles turn over every thirty years. By that metric, the personal computer revolution has run its… Continue reading Cyberpunk’s Not Dead: Rucker’s Nested Scrolls
As usual, the Summer Reading List is the time of year when I ask a bunch of my bookish friends what they’re reading. It’s always a good time, and this year we have newcomers and old friends Howard Rheingold, Michelle Rae Anderson, and Zizi Papacharissi, as well as Summer Reading List vets like Alex Burns,… Continue reading Summer Reading List, 2011
