It’s December and time to reassess the year, and 2011 is a joy to revisit. It was easily my best year ever personally. I signed a book deal, spoke at several conferences with some of my best friends, got engaged to a wonderful woman, built some new bikes, redesigned my website (finally), and finished coursework and comprehensive exams on my way to a Ph.D., among other things.
This year was crazy, from the death of Steve Jobs and Occupy Wall Street to the ramping up of some sort of political happening. I also saw, listened to, and read a lot of good stuff. Here is the best of the media I consumed this year:
Album of the Year: Hail Mary Mallon Are You Going to Eat That? (Rhymesayers): Hail Mary Mallon is the melding of word-murdering minds Aesop Rock and Rob Sonic and the laser-precise cuts of DJ Big Wiz, all three Def Jux alumni and no strangers to the raps and beats in their own rights. In the interest of full disclosure, these dudes are my friends. To be perfectly honest, if they were wack they wouldn’t be.
These three have been touring and clowning together for years in different guises, and it’s obvious when you hear how well they play together. Are you Going to Eat That? is the dopest record out this year.
Production-wise, “Mailbox Baseball” sounds like an Iron Galaxy outtake, while “Grubstake” evokes the stripped down reduction—all 808s and sparse scratches—of a salad-day-era Rick Rubin. Aes and Rob pass the mic like the Treacherous Three. “Table Talk” is a 21st-century “High-Plains Drifter.” But don’t get any of this twisted: this is not a throwback, it’s a leap forward.
It’s all good (“Breakdance Beach” is dope, though it does get grating upon repeated listens), and the skills are barn-razing and bar-raising. Whether it’s Hannibal Lector or Cannibal Ox, Hail Mary Mallon prove that rap will eat itself.
Here’s their video for “Meter Feeder” [runtime: 3:47] directed by Alexander Tarrant and Justin Metros:
Close Second: Radiohead The King of Limbs (Waste): “I’m such a tease and you’re such a flirt…” The most important band in the world has returned with another cure for the malaise of the age. Pick one: They’ve saved rock and roll, killed rock and roll, and still emerged from the muck of the music industry well ahead of the curve. Everyone in media keeps them under the microscope to see how they will win. Again. Lean in, here’s the secret:
Radiohead makes great records.
And they do it consistently. They’re also quite adept at parsing the patterns on the horizon of the mediascape, but that wouldn’t matter if their records weren’t good. Damn good.
The King of Limbs is no exception. It’s more mellow than the sparsest parts of Amnesiac, but not nearly as insular. It might be their most even record. Thom Yorke’s voice, which I have to admit used to grate on me as often as it moved me, has gotten mature enough to carry the toughest of tunes. He is the voice of Radiohead, literally and figuratively (no small task either way), and he handles it with confidence and control.
Radiohead was never as joyfully abrasive as Sonic Youth or The Flaming Lips, but The King of Limbs reminds me of the releases of the former’s A Thousand Leaves and the latter’s The Soft Bulletin. All three records are still weird in their ways, but they’re also far more subtle than the previous work of their creators. Radiohead have always been masters of subtlety, and with The King of Limbs, they’ve earned their Ph.D. It’s such a tease and such a flirt.
Even Closer Third: Ume Phantoms (Modern Outsider): If ever a band were poised for the next level, Ume has been teetering there headlong for the better part of the past few years. Phantoms is the kind of record that neuters naysayers and emboldens enthusiasts. Lauren, Eric, and Rachel are some of the friendliest folks you’re likely to meet, but on stage they are ferocious. While Eric (bass) and Rachel (drums) are the stable and able drivetrain, Lauren (guitar and vocals) is the high-octane, internal combustion engine, careening ahead on the edge of control. Theirs is pop music in the sense that it’s explosive. Their live shows are where the real, volatile magic happens, but Phantoms captures their energy serviceably. For further evidence, here’s the video for “Captive” from Phantoms directed by Matt Bizer [runtime: 4:01], the most shared video on MTV.com:
Runners Up: Wolves in the Throne Room Celestial Lineage (Southern Lord), Seidr For Winter Fire (Flenser), Cloaks Versions Grain (3by3), Jesu Ascension (Caldo Verde), Big Sean Finally Famous (GOOD Music), Knives From Heaven s/t (Thirsty 3ar), Pusha T Fear of God/Fear of God II: Let Us Pray (GOOD/Decon/Re-Up), Random Axe s/t (Duck Down), IconAclass For the Ones (deadverse), Crack Epidemic American Splendor (self-released), Deafheaven Roads to Judah (Deathwish), Panopticon Social Disservices (Flenser), Graveyard Hisingen Blues (Nuclear Blast).
Most Overrated: Opeth Heritage (Roadrunner), Kanye West & Jay-Z Watch the Throne.
Live Show of the Year: Deftones, June 4, 2011, Austin Music Hall, Austin, TX: Say what you will, but it’s absolutely unfair to lump Deftones in with bands they have next-to-nothing to do with (e.g., Limp Bizkit, Korn, Tool, et al). Deftones are as sophisticated as they are heavy and as beautiful as they are aggressive, as much like the Cure as they are Clutch. Their live show confirms all of this and more.
Runners Up: Mogwai, May 16, Stubbs, Austin, TX; Wolves in the Throne Room, September 27, Red 7, Austin, TX.
Comedian of the Year: Louis CK: No one else comes close.
Event of the Year: South by Southwest: SXSW is always a blurry blast, but this year was especially good. I got the opportunity to speak at Interactive and run around with friends seeing great music the rest of the time. You know who you are. Here’s to next year.
Runners Up: SF MusicTech Summit, Geekend Roadshow Boston.
Most Overrated: TEDxAustin.
Book of the Year: James Gleick The Information (Pantheon Books): James Gleick always brings the goods, and The Information is no exception. This is a definitive history of the info-saturated now. From Babbage, Shannon, and Turing to Gödel, Dawkins, and Hofstadter, Gleick traces the evolution of information theory from the antediluvian alphabet and the incalculable incomplete to the memes and machines of the post-flood. I’m admittedly biased (Gleick’s Chaos quite literally changed my life’s path), but this is Pulitzer-level research and writing. The Information is easily the best book of the year.
Runners Up: Insect Media by Jussi Parikka (University of Minnesota Press), The Secret War Between Downloading and Uploading by Peter Lunenfeld (The MIT Press), The Beach Beneath the Street by McKenzie Wark (Verso), remixthebook by Mark Amerika (University of Minnesota Press), Marshall McLuhan: You Know Nothing of My Work! by Douglas Coupland (Atlas & Co.).
Most Overrated: Ready Player One by Ernest Cline (Crown).
Educator of the Year: Howard Rheingold: Howard’s homegrown Rheingold University started this year and quickly established an impressive online curriculum. I took the first class and joined the very active alumni in continuing our co-learning with Howard’s help. It was through this group that I got the opportunity to speak to David Preston’s Literature and Composition class — one of the best experiences I’ve had in education.
Site of the Year: Shut Your Fucking Face and Listen: My man Tim Baker and his band of ne’er do wells have put together a site that’s as hysterical as it is historical. Mostly focused on music, they veer off on pop culture tangents and mad rants that are always more entertaining than their subject matter. Get up on that.
TV Show of the Year: Breaking Bad (AMC): I have Tim Baker from SYFFAL to thank for this one. This show doesn’t just rearrange the furniture in the standard TV drama’s livingroom, it tosses it on the lawn and sets it on fire. I’ve only made it through the first three seasons, but my guess is that by the end of the recently inked fifth and final, this will be hailed as one of the greatest shows ever to creatively corrupt the television medium.
Runners Up: Party Down (Starz); Lie to Me (Fox).
Movie of the Year: The Muppets (Disney): I haven’t laughed so consistently through a movie since maybe first seeing Doug Liman’s Go in the theater. It’s not flawless (maybe one too many metacomments and one too many eighties references), but it is downright entertaining from titles to credits. So good to see a chunk of your chlidhood revived so well.
Runner Up: Tree of Life (Plan B).
Video of the Year: “Yonkers” by Tyler, The Creator: Written, directed, produced, rapped, and eaten by Tyler himself. I’ve already spouted my feelings about OFWGKTA elsewhere.
Runners up: Pusha-T featuring Tyler, The Creator “Trouble on My Mind,” Big Sean featuring Chiddy Bang “Too Fake,” Hail Mary Mallon “Meter Feeder” (embedded above).
So those are a few of the things that caught and held my attention this year. What were yours?
I marshal the middle between Mathers and McLuhan.
Editor of Boogie Down Predictions (Strange Attractor, 2022), author of Escape Philosophy (punctum, 2022) and Dead Precedents (Repeater, 2019).